The Benny Carter Legacy

Event Details

Date(s) & Time(s)::

February 17, 2013 at 2:00 PM until 4:00 PM

Location: Schorr Family Firehouse Stage 46-48 Willow St. Johnson City, NY 13790

Phone: 607-772-2404 ext. 301

Email: boxoffice@goodwilltheatre.net

Link: http://www.goodwilltheatre.net

Event Description

February 11, 2013 Updated Feb 11, 2013 at 2:28 PM EST

For over six decades, Benny Carter has occupied a unique place in American music. As Duke Ellington once wrote: "The problem of expressing the contributions that Benny Carter has made to popular music is so tremendous it completely fazes me, so extraordinary a musician is he."

Johnson City – As part of the Jazz Concert Series, The Goodwill Theatre will present The Benny Carter Legacy, Sunday February 17 at 2 p.m. featuring Tom Heinze, Al Hamme and the Northeastern Pennsylvania Repertory Orchestra. The Goodwill Theatre’s 2012-2013 Jazz Concert Series is sponsored by Sentry Alarms and Robert J. Hanafin Insurance.

The Benny Carter Legacy show will feature songs from his Further Definitions album including: “I'm Comin' Virginia”, “Rock Bottom”, “We Were in Love”, “Blue Star” and others. All the music has been composed and arranged by Benny Carter; accept for “I’m Comin’ Virginia”,
which was written by Donald Heywood and arranged by Benny Carter.

As a soloist, Carter, along with Johnny Hodges, was the model for swing era alto saxophonists. He is nearly unique in his ability to double on trumpet, which he plays in an equally distinctive style. In addition, he is an accomplished clarinetist, and has recorded proficiently on piano and trombone. As an arranger, he helped chart the course of big band jazz, and his compositions, such as "When Lights Are Low" and "Blues In My Heart," have become jazz standards. Carter has also made major musical contributions to the world of film and television. His musicianship and personality have won him the respect of fellow artists and audiences on every continent.

Born in New York in 1907, Carter received his first music lessons on piano from his mother. He was attracted to the trumpet through his cousin, the legendary Cuban Bennett, and a neighbor, the great Ellington brass man Bubber Miley. Carter saved for months to buy a trumpet but, failing to master it over the weekend, he exchanged it for a C-melody saxophone. Frankie Trumbauer was an early inspiration to the young Benny, who was largely self-taught. By age fifteen, Carter was already sitting in at Harlem night spots.

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